Biography

Rebekkah Hilgraves

Rebekkah Hilgraves

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Rebekkah Hilgraves was born in Washington, D.C. and now makes her home in Los Angeles. She began training seriously for a vocal career at an early age. Studies in Voice Performance at Northern Illinois University included art song and opera, early music performance practice, vocal pedagogy and stagecraft. She also began broadcasting at WNIU in DeKalb, continuing in broadcasting, commercial and industrial voice-over work in several major markets in the years since. Currently she hosts a weekly program on StillStream.FM called At Water’s Edge.

Her singing instructors have included Myron Myers in Chicago; Genia Las in Buffalo, New York; Edward Sayegh, a San Francisco-based instructor; Gerald Martin-Moore, Thomas Wolf, and Neal Goren in New York City.

Ms. Hilgraves also teaches private voice lessons, seminars and master classes through her teaching studio in Los Angeles and as a visiting resident at Northern Illinois University.

Voice-over and broadcasting

Member, SAG-AFTRA

Starting at WNIU in DeKalb, Illinois in 1986, Rebekkah has been broadcasting and producing, hosting classical, jazz and news programs in several markets across the U.S., including KQED in San Francisco, KING-FM in Seattle and WNED-FM in Buffalo.

In addition to her work in radio, Rebekkah has also done commercial and industrial voice-over work, including commercials for Thomasville Home Furnishings, Bojangle’s and several other major advertisers, and training and marketing videos for Digital Landing, Marketo and many other clients.

Currently she hosts a weekly program on StillStream.FM (you can hear archived broadcasts here).

Classical

Rebekkah actively performs in numerous operas, solo recitals and as a guest concert artist in venues throughout the United States. She gave the premiere performance of a new work, Rachel Rising (text by Rebekkah, and music by Rob Deemer) in October 2008 in Tennessee, and performed it again in October 2013 at Northern Illinois University as the culmination of a week long teaching residency.

In and around New York City, she has performed the roles of “Violetta” in Verdi’s La Traviata (Little Opera Company of New Jersey, 2006), “Rachel” in the world premiere of The Eglantine by Sam Belich (New York City, 2005), “Elisabetta” in Verdi’s Don Carlo (Opera Drammatica, 2004), “Gerhilde” in Wagner’s Die Walküre (The Valkyrie Project, 2005 and Opera Drammatica, 2004), the title role in Puccini’s Suor Angelica (Chelsea Opera, 2004 and American Singers Opera Project, 2003), and has performed the soprano solo in Haydn’s Lord Nelson Mass (Ars Musica Orchestra and Chorale, 2002). In 2003, she also received “Honorable Mention” by the Amici Vocal Competition in Connecticut.

Elsewhere around the U.S., she has appeared as soloist with the Buffalo Philharmonic (2007), Seattle Philharmonic Orchestra (1998, 1999, 2000) and with Orchestra Seattle/Seattle Chamber Singers (1999, 2000), as well as being a founding member of the women’s vocal ensemble, The Sisters (1998-2000). She presents regular solo recitals in Seattle, San Francisco, Los Angeles, Buffalo, and New York City.

Ms. Hilgraves’ current repertoire covers a broad range of languages and styles, and includes “Lady Macbeth” in Verdi’s Macbeth, “Leonore” in Beethoven’s Fidelio, “Donna Elvira” in Mozart’s Don Giovanni, the title role in Puccini’s Suor Angelica, Richard Strauss’ Vier Letzte Lieder (Four Last Songs), Samuel Barber’s Knoxville: Summer of 1915, as well as song repertoire in French, German, Italian, English, Latin, and Czech. She is also preparing the mélodies by French composer Charles Bordes (1863-1909) for recording, having presented many in their American premieres.

The soprano has been named “Best Actress in a Musical” by the San Francisco Bay Area Theatre Critics’ Circle for the leading role in an original work with the Lamplighters, itself an award-winning light opera company in San Francisco. Ms. Hilgraves has starred in operas and light operas, including in L’Étoile by Chabrier (Princess Laoula) with Pocket Opera (San Francisco); the title role in Princess Ida by Gilbert and Sullivan (Lamplighters); the Second Prioress (Madame Lidoine) in Poulenc’s Dialogues of the Carmelites; “Helen” in Three Sisters Who Are Not Sisters by Ned Rorem.

Critics have acclaimed Ms. Hilgraves with “…an opulently effulgent tone…” (John Hammell, Mozart to Motorhead, 2005), “…a gorgeous soprano who can act.” (San Francisco Review, 1996), “…this vivacious soprano…” (John Bell Young, distinguished pianist and critic, Opera News, American Record Guide, 1999) and “…ample and ringing. Lovely! … in your ecstatic transports the grasp of the scholar is transmuted into the lyric flair—the richly nuanced aperçus–of the artist.” (Adrian Corleonis, Fanfare Magazine, Sounds of Seattle, 1999).

Jazz

Ms. Hilgraves has appeared as a jazz vocalist in venues around North America. Her jazz career is nearly as long-lived as her classical career. Under the careful instruction of the great jazz musicians Scotty Wright (San Francisco) and Robert Murphy (North Carolina), and studying the work of jazz greats Billie Holiday, Sarah Vaughan, Ella Fitzgerald, Nat King Cole and others, she successfully moves from classical singing to jazz and back again at will.

She can be heard on a recording by Los Caribes, a Buffalo-based Latin jazz group headed by Michael Colquhoun. Michael’s review of Rebekkah’s work was: “…you are currently listed as Coro under percussion – that’s gonna change to a listing under Brass considering Your VOICE girl! I can hear you from here!!”

Image copyright © 2010-2013 by Theresa Saxon. All rights reserved. http://www.imagescoterie.com

TECHNOLOGY Starting life as a technical trainer for Cheetah Software Systems in Los Angeles, she moved quickly into technical support and documentation, finding need for both while with Cheetah. From there, she worked with the marketing team for software testing software (Software Research, Inc. in San Francisco), supported and documented UNIX-Windows interoperability software (Exodus Technologies and GraphOn Corporation in Seattle) and supported and project-managed a web-based collaborative development environment (in San Francisco-based CollabNet's New York office). After CollabNet closed down its New York operations, she formed SheTech and Company. Upon moving to Austin, Texas in 2006, she was invited to become Managing Editor of NetPerformance.com team, an online technical magazine. This prompted her to move more strongly into web design and content management, now the specialty of SheTech and Company. Now based in Los Angeles, California, SheTech and Company comprises a global team of highly skilled graphic designers, web designers, marketing/communications and database experts. Rebekkah brings expertise in CSS, Photoshop and graphic design, several content management systems (the open source Joomla! and commercial Ektron CMS solutions) and blog platforms (especially WordPress); she has a strong background in writing, editing and multimedia development and has written training courses on helpdesk, customer relationship management, and the Photoshop software. With additional experience in technical support and technical project management, Rebekkah Hilgraves brings years of experience to every development project. Rebekkah is co-author with David Busch of David Busch's Quick Snap Guide to Adobe Photoshop.com and David Busch's Quick Snap Guide to Photoblogging with WordPress. The "and Company" part of SheTech and Company includes some of the industry's most talented programmers, writers, graphic designers and database designers. OPERA Rebekkah Hilgraves actively performs in numerous operas, solo recitals and as a guest concert artist in venues throughout the United States. She gave the premiere performance of a new work, Rachel Rising (text by Rebekkah, and music by Rob Deemer) in Maryville, Tennessee, just outside of Knoxville. In and around New York City, she has performed the roles of “Violetta” in Verdi’s La Traviata (Little Opera Company of New Jersey, 2006), “Rachel” in the world premiere of The Eglantine by Sam Belich (New York City, 2005), “Elisabetta” in Verdi’s Don Carlo (Opera Drammatica, 2004), “Gerhilde” in Wagner’s Die Walküre (The Valkyrie Project, 2005 and Opera Drammatica, 2004), the title role in Puccini’s Suor Angelica (Chelsea Opera, 2004 and American Singers Opera Project, 2003), and has performed the soprano solo in Haydn’s Lord Nelson Mass (Ars Musica Orchestra and Chorale, 2002). Elsewhere around the U.S., she has appeared as soloist with the Buffalo Philharmonic (2007), Seattle Philharmonic Orchestra (1998, 1999, 2000) and with Orchestra Seattle/Seattle Chamber Singers (1999, 2000), as well as being a founding member of the women’s vocal ensemble, The Sisters (1998-2000). She presents frequent solo recitals in Seattle, San Francisco, Los Angeles, Buffalo, and New York City.

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